On the way back from the bodega, Sofia is drawn into a life-like mural of Old San Juan where she dances, sings, and conquers her fear of the vejigante before being called back to the barrio by her mother. En el camino de vuelta de la bodega, Sofía se dibuja en un mural realista del Viejo San Juan, donde ella baila, canta, y conquista su miedo a la vejigante antes de ser llamado de nuevo al barrio por su madre.

"From the Pulitzer Prize-winning author of American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer comes the first effort to set the Cuban Missile Crisis, with its potential for nuclear holocaust, in a wider historical narrative of the Cold War--how such a crisis arose, and why at the very last possible moment it didn't happen. In this groundbreaking look at the Cuban Missile Crisis, Martin Sherwin not only gives us a riveting sometimes...

"An on-the-ground history of ordinary Americans who took to the streets when political issues became personal. It is widely believed that Americans of the 1970s and '80s were exhausted by the upheavals of the '60s and eager to retreat to the private realm. When they did take action, it was mainly to express their disillusionment with government by supporting the right. In fact, as Michael Stewart Foley shows, neither of these assumptions is correct....

Prizewinning historian Ruth Harris offers the first in-depth history of both sides in the 1894 Dreyfus Affair, showing how complex interlocking influences--tensions within the military, the clashing demands of justice and nationalism, and a tangled web of friendships and family connections--shaped both the coalition working to free Jewish officer Alfred Dreyfus and the formidable alliances seeking to protect the reputation of the army that had convicted...