Richard Pevear

A new translation of The Possessed and a new title to go with it. The translators claim it better reflects the spirit of what basically is a novel of ideas, the demons of the title being the Western imports of idealism, socialism, materialism, nihilism, atheism and so on.

"Bringing together dozens of voices in her distinctive style, Last Witnesses is Svetlana Alexievich's collection of the memories of those who were children during World War II. These men and women were both witnesses and sometimes soldiers as well, and their generation grew up with the trauma of the war deeply embedded in them--a trauma that would forever change the course of the Russian nation. This is a new version of the war we're so familiar with....

During the decades of his world fame as sage and preacher as well as author of War and Peace and Anna Karenina, Tolstoy wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These culminated in What is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered and rejected the idea that art reveals and reinvents through beauty. The works of Dante,...

Inspired by the true story of a political murder that horried Russians in 1869, Fyodor Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.

"Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English."—The New Yorker

There have always been two versions of Chekhov's heartrending and humorous masterwork: the one with which we are all familiar, staged by Konstatine Stanislavski at the Moscow Art Theatre in 1904, and the one Chekhov had originally envisioned. Now, for the first time, both are available and published here in a single volume

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