Austen's last novel is the crowning achievement of her matchless career. Her heroine, Anne Elliot, a woman of integrity, breeding and great depth of emotion, stands in stark contrast to the brutality and hypocrisy of Regency England. Includes a new Introduction by Margaret Drabble, famed novelist and editor of The Oxford Companion to the English Language.

Presents side-by-side texts in modern English and original language of Shakespeare's play in which Claudio and Hero, awaiting their wedding, conspire to get the antagonistic Beatrice and Benedick to fall in love, unaware that they themselves are the target of a more sinister plot.

Calling off her high-society wedding after discovering her fiance's infidelity, Keely Murdock faces financial ruin before receiving assistance--and an opportunity for revenge--from the new owner of a local bra company.

Daisy Lee Monroe thought she'd brushed the dust of Lovett, Texas, off her high-heeled shoes years ago, but she's come back home only to find that little has changed. Her sister is still crazy, and her mom still has pink plastic flamingos in her front yard. And Jackson Lamott Parrish, the bad boy she'd left behind, is still so sexy it hurts. She'd like nothing better than to avoid this particular man, but she can't. Daisy has something to say to

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Just as Jay Gatsby was haunted by Daisy Buchanan in The Great Gatsby, F. Scott Fizgerald was haunted by his own great first love — a Chicago socialite named Ginevra. Alluring, capricious, and ultimately unavailable, she would become his first muse, the inspiration for such timeless characters as Gatsby's Daisy and Isabelle Borge in This Side of Paradise.
Caroline Preston's astute perceptions of her characters and the cultural landscapes...