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Chicago, 1954. When his father Montrose goes missing Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George-- publisher of The Safe Negro Travel Guide-- and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite, heir to the estate that owned one of Atticuss ancestors, they encounter both mundane terrors of white America and malevolent spirits that seem straight out of...
2) Pulp
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In 1955, eighteen-year-old Janet Jones keeps the love she shares with her best friend Marie a secret. It's not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself--and Marie--to a danger all...
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"Summer, 1957. Atticus Turner and his father, Montrose, travel to North Carolina, where they plan to mark the centennial of their ancestor's escape from slavery by retracing the route he took into the Great Dismal Swamp. But an encounter with an old nemesis turns their historical reenactment into a real life-and-death pursuit. Back in Chicago, George Berry fights for his own life. Diagnosed with cancer, he strikes a devil's bargain with the ghost...
5) Pimping fictions: African American crime literature and the untold story of Black pulp publishing
Author
Language
English
Description
Gifford provides a hard-boiled investigation of hundreds of pulpy paperbacks written by Chester Himes, Donald Goines, and Iceberg Slim (aka Robert Beck), among many others. He draws from an impressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre, evaluating the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American...
Author
Language
English
Description
In this thinly-disguised pseudonymous satire, Madge Lawrence is a "good girl" trying to make it as a screenwriter in Hollywood. As secretary to a big-time producer, Madge learns the movie business from the inside. The story unfolds in a series of documents--memos, telegrams, newspaper items, and letters from Madge to a former colleague in New York.