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For centuries, Jews lived in diverse countries with vibrant theatrical cultures, yet they were one of the few peoples without a sanctioned theatrical tradition of their own. In the modern era, however, Jews came to be among the most important creators of popular theater and film in America. Why? In Theatrical Liberalism, Andrea Most illustrates how American Jews used theater to navigate encounters with modern culture, negotiating a position for themselves...
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Scope and content: These 19th century volumes of sheet music are comprised of favorite songs and piano-forte compositions, characteristic of a cultural era in America when educated young ladies entertained family and friends in their home parlors. The original sheet music imprints, circa 1824-ca. 1892, were collected and published as bound volumes, by Nashville "blank book manufacturers," with the names of the individuals printed on the front cover:...
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Tells the fascinating story of African American women who traveled to France to seek freedom of expression. During the Jazz Age, France became a place where an African American woman could realize personal freedom and creativity, in narrative or in performance, in clay or on canvas, in life and in love. These women were participants in the life of the American expatriate colony, which included F. Scott Fitzgerald, Gertrude Stein, and Cole Porter,...
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Scope and content: The collection consists of fourteen documentary scrapbook volumes pertaining to the history of The Circle Players, Inc., spanning the dates ca. 1949-ca. 1974. Includes newspaper clippings, theatrical programs, photographs, telegrams, primary sources, and ephemera, documenting each season's theatrical productions, directors and cast members, and the history of the organization. Includes the 1949 by-laws of the theatrical organization,...
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"Jewish performers, composers, lyricists, directors, choreographers and producers have made an indelible mark on Broadway for more than a century. This historical volume captures the story of the Jewish emergence from immigrants in ghetto living conditions staging Yiddish Theater productions on New York's Lower East Side to their significant social and cultural impact on the stages of Broadway"--Provided by publisher.
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Scope and content: Print, manuscript, and photographic materials document Nashville programs at a variety of local venues (primarily the Ryman Auditorium) between 1892 and 2002, with concentration on the years between 1945 and 1994. Materials include news clippings and reviews, ticket stubs, souvenir programs, publicity and news photos, correspondence, and personal appearance contracts between venues and performers. While most of the documented...
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Scope and content: Scrapbook compiled by Joseph R. Citti (1912-2003). The scrapbook documents his time working as a performer in 1933. The scrapbook, which is not in chronological order, contains mostly loose undated newspaper clippings about and reviews of a production called the Gaieties of 1933. Also included is a 1933 cast roster on Belmont Theater letterhead, two blank Actor's Equality Diplomas, contest rules, a completed entry form and a damaged...
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Scope and content: A scrapbook journal related to theatrical and operatic productions at the Theatre Vendome circa the 1887-88 season. Includes the handwritten playscript "Lights and Shadows" by Louis Davis, with a diagram of stage settings. The published clippings pertain to performances at the Theatre Vendome, the Masonic Theatre, and The Grand Opera House, all located in Nashville, Tennessee. Circa the 1887-88 season many prominent artists appeared...
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Scope and content: A collection of six scrapbooks and one diary presumably compiled by Meriwether Liston Lewis, a Nashville Carnegie Library reference librarian and a published author, spanning the dates ca. 1901-ca. 1954. The materials document Nashville theatre, primarily about theatrical productions at the Vendome Theatre and the Grand Opera House, ca. 1901, United States history, international and national politics, the Paris Peace Conference...
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Scope and content: Primarily through photographs, musical recordings, interviews, and clippings, this collection documents the career and legacy of Nashville's legendary African-American harmonica player DeFord Bailey (1899-1982). The collection was gathered by Bailey's friend and biographer David C. Morton over many years, some of which served as research material for his 1991 biography, DeFord Bailey: A Black Star in Early Country Music, co-written...
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Scope and Content: This collection documents various advertising and publicity activities for movie theaters owned by the Crescent Amusement Company and managed by Russell Parham Sr. The date span of the material is 1929-1983 with the bulk being 1930-1950. The majority of the collection focuses on the Princess Theatre in Nashville, with a number of news clippings and photographs featuring advertising campaigns for specific films. In addition to the...
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Abstract: Scrapbooks, photographs, news clippings and audio recordings documenting the lives of African-Americans Thomas W. Southall, especially his career in the army, particularly his service in Germany in the 1950s, building radio sites; and his wife, Myrtle Forcey-Southall, who performed under the name, Myrtle Wilson, as a contortionist and dancer, and under her later stage name, Joyce Jackson, as a jazz singer. She performed in jazz clubs on...