An intimate portrait and a vibrant celebration of one of the most influential women of the twentieth century -- an enduring icon who has had a strong influence on the course of fashion, beauty, publishing and culture.. During Diana Vreeland's fifty year reign as the "Empress of Fashion," she launched Twiggy, advised Jackie Onassis, and established countless trends that have withstood the test of time. She was the fashion editor of Harper's Bazaar...

Paris, 1930. The infamous surrealist filmmaker Luis Buñuel is left penniless after the scandalous release of L'Age d'Or leads to a falling out with collaborator Salvador Dalí. On a whim, Buñuel's good friend, sculptor Ramón Acín, buys a lottery ticket and promises to devote his winnings to fund Buñuel's next film. Incredibly, Ramón wins the 20,000-pesos jackpot, sending the two friends to the remote mountains of their native Spain to...

Based on a true story, Reza, who has spent half his life in prison is helped by the warden who arranges a marriage for him with Fatemeh, a female prisoner. The bride and groom, who can spend one night a week together, eventually have a child and are finally released. As Reza attempts to find work to support his family, he finds that his new obligations imprison him in another way.

Take one: Director William Greaves presides over a beleaguered film crew in New York's Central Park, leaving them to try to figure out what kind of movie they're making. A couple enacts a breakup scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description. Yet this wildly innovative sixties counterculture landmark remains one of the most tightly focused and insightful...

In 1968, Peace Corps veteran David Schickele enlisted his friend Paul Eyam Nzie Okpokam to star in a light-hearted drama about the adventures of a well-educated Nigerian immigrant in San Francisco. Using a docu-fictional style reminiscent of John Cassavetes' Shadows (1959), Bushman observes the foibles of late-1960s African American culture with an outsider's penetrating eye. The film morphs into a documentary when the director's voice abruptly intrudes...

"Portuguese director Pedro Costa has been steadily building an impressive body of work since the late eighties, and these are the three films that put him on the map: spare, painterly portraits of battered, largely immigrant lives in the slums of Fontainhas, a neighborhood on the outskirts of Lisbon. In Ossos, after a suicidal teenage girl gives birth, she misguidedly entrusts her baby's safety to the troubled, deadbeat father. In Vanda's Room is...