In the Margins: On the Pleasures of Reading and Writing
(eAudiobook)

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Published
Blackstone Publishing, 2022.
Status
Available Online

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Physical Description
2h 22m 0s
Format
eAudiobook
Language
English
ISBN
9798200957125

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Citations

APA Citation, 7th Edition (style guide)

Elena Ferrante., Elena Ferrante|AUTHOR., & Hillary Huber|READER. (2022). In the Margins: On the Pleasures of Reading and Writing . Blackstone Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Elena Ferrante, Elena Ferrante|AUTHOR and Hillary Huber|READER. 2022. In the Margins: On the Pleasures of Reading and Writing. Blackstone Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Elena Ferrante, Elena Ferrante|AUTHOR and Hillary Huber|READER. In the Margins: On the Pleasures of Reading and Writing Blackstone Publishing, 2022.

MLA Citation, 9th Edition (style guide)

Elena Ferrante, Elena Ferrante|AUTHOR, and Hillary Huber|READER. In the Margins: On the Pleasures of Reading and Writing Blackstone Publishing, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0df7f396-2b75-8441-ba74-266aa3d27ea3-eng
Full titlein the margins on the pleasures of reading and writing
Authorferrante elena
Grouping Categorybook
Last Update2024-03-23 09:02:57AM
Last Indexed2024-03-27 07:18:38AM

Book Cover Information

Image Sourcehoopla
First LoadedFeb 28, 2023
Last UsedMar 21, 2024

Hoopla Extract Information

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    [synopsis] => Four new and revelatory essays by the author of My Brilliant Friend and The Lost DaughterIn 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as "an oracle among authors." Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer, she describes the perils of "bad language" and suggests ways in which it has long excluded women's truth, and she proposes a choral fusion of feminine talent as she brilliantly discourses on the work of Emily Dickinson, Gertrude Stein, Ingeborg Bachmann, and many others.

Here is a subtle yet candid book by "one of the great novelists of our time" about adventures in literature, both in and out of the margins.
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