Kino International Corporation.

Dziga Vertov's Man with a movie camera is considered one of the most innovative and influential films of the silent era. This dawn-to-dusk view of the Soviet Union offers a montage of urban Russian life, showing the people of the city at work and at play, and the machines that endlessly whirl to keep the metropolis alive.

Cop Au vin is a classic Claude Chabrol thriller set in the belly of a small town full of dark plots, delicious secrets, and multiple murders.

Keaton sets out to single-handedly win the war with the help of his cherished locomotive, The general. In the playhouse, a technical tour-de-force, Keaton portrays every member of a stage company, the entire audience and an undisciplined chimp to boot. Cops is the quintessential chase film.

Eight-year-old Maria and her history professor mother embark on an ocean cruise from Portugal to Bombay, India. As three mysterious and glamorous women board the ship, their picturesque journey begins to grow in tension and complexity.

An innocent young farm lad goes off to join the partisans fighting the Nazis and comes to experience, if not understand, the horrors of war.

Using hours of audio-only taped interviews, learn about this normally reclusive star, from her childhood to her marriage, collaborators, life, death, and the Holocaust.

Story of a large African-American family as they prepare to move North from the Sea Islands off the coast of Georgia at the dawn of the 20th century.

One of the early sound masterpieces of German cinema, this film made Marlene Dietrich an international star and helped assure director Joseph von Sternberg a place in cinematic history. The story is a gripping portrait of a middle-aged professor who is degraded by his obsession with a tawdry cafe entertainer. Presents two versions of the film: The original German and original English versions.

At the heart of this film is the question of whether Leni Riefenstahl was a Nazi, as her detractors claim, or whether she was the victim of society-- a naive, young woman who made Triumph des Willens on assignment, and simply did a very good job. This film does not judge, and Riefenstahl (a fiesty 90 during production) is genuine in her protest. Or has the passage of 50-plus years simply rewritten history in her mind? Viewers must judge for themselves....

Based upon Nobel Prize-winner Maurice Maeterlinck's play, two young children go on an allegorical voyage that bridges the chasm between the conscious and the unconscious as they search for the Blue Bird of Happiness.