Constance Garnett
6) The idiot
10) White Nights
Our narrator loves St. Petersburg at night time. He no longer feels comfortable during the day because all of the people he was used to seeing are not there. He drew his emotions from there. If they were happy, he was happy. If they were despondent, he was despondent. He felt alone when seeing new faces. He also knew the houses. As he strolled down the streets they would talk to him and tell him how they were being renovated or painted a new colour
...11) The Crocodile
After teasing the crocodile, Ivan Matveich is swallowed alive. He finds the inside of the crocodile to be quite comfortable, and the animal's owner refuses to allow it to be cut open, in spite of the pleas from Elena Ivanovna. Ivan Matveich urges the narrator to arrange for the crocodile to be purchased and cut open, but the owner asks so much for it that nothing is done.
13) Android Karenina
“ . . . lives up to its promise to make Tolstoy ‘awesomer.’”—The Onion AV Club
It’s been called the greatest novel ever written. Now, Tolstoy’s timeless saga of love and betrayal is transported...
A Russian author, playwright, and physician, Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov's stories are often noted for their stream-of-consciousness style and their vast number. Raymond Carver once said, "It is not only the immense number of stories he wrote—for few, if any, writers have ever done more—it
...A Russian author, playwright, and physician, Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov's stories are often noted for their stream-of-consciousness style and their vast number. Raymond Carver once said, "It is not only the immense number of stories he wrote—for few, if any, writers have ever done more—it
...Hailed as one of the world's masterpieces of psychological realism, The Death of Ivan Ilyich is the story of a worldly careerist, a high-court judge who has never given the inevitability of his death so much as a passing thought. But one day death announces itself to him, and to his shocked surprise he is brought face to face with his own mortality. How, Tolstoy asks, does an unreflective man confront his one and only moment of truth?
The
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